Mentoring is Relationship

We have spent a year with y’all. Learning vocabulary, building trust, developing ideas, moving forward, and most of all: connecting. Why would we cut off so many great relationships? We want you to succeed!

With growth comes new opportunities. We have an expanding resource of makers and educators; great studio artists who bring varied skill sets with them.

After a year of study, you realize how the immersion into a culture of learning informs and elevates your own studio practice—we also really like working with you. We have developed Cohorts Continuum for Alumni of the Cohorts.Art program.

Cohorts Continuum gives you a group, a guide and curated access to a variety of artists and experts. And you maintain access to our continuing lecture series.

How it Works

In 2025, we will have 8 different Continuum Classes which are limited to 5 or 6 students.

Each class is a deep dive into a topic with a consistent mentor who curates the experience.

Continuum offers some of the rapport and accountability of your Cohorts year while exposing you to a wide range of expertise and perspectives.

1 year | 12 two-hour zoom classes| $1,560

$120 non-refundable deposit to hold your spot, then $120 per month for 12 months.

Registration opens
October 15th at
Noon Pacific Time.

Classes limited to 6 students.

Continuum classes are available for all past and present Cohorts.Art students.


Withdrawal Policy: If a student decides to withdraw after the year begins, they are responsible for 50% of the remaining annual tuition if there is no replacement student available.

Sign Up Below

These 5 classes occur on the first Sunday of every month from 3-5pm Eastern Time

Sculpture- Kyungmin Park, 1st Sundays, 3-5pm ET

  • This course will be tailored to the group's needs, whether it involves demonstrations, lectures, or discussions. We will troubleshoot different building techniques and I will cover technical issues of creating large-scale sculptures and provide suggestions for your own studio practices. As a ceramic sculptor, you will encounter different concerns, restrictions, and freedoms within this discipline. How you think about presentation, installation, and transportation of your work is crucial. Additionally, guest lectures will be included based on the participants' interests. We will make sure to have time for feedback and critique of your current work most sessions.

    Bio

    Kyungmin Park is a South Korean-born ceramic artist whose figurative sculptures explore introspection, diversity, and human connections. She earned the 2016 NCECA Emerging Artist Award, Windgate, and Matsutani fellowships. Park is currently an Associate Professor at Endicott College and has conducted over 40 workshops and lectures at various art institutions. She currently lives and teaches in Boston, MA.

    www.kyungminpark.com 
    IG: is @kyungminpark929

Composing Surface in Harmony with Form, Breana Ferreira- 1st Sundays, 3-5pm ET

  • This course will spend the year exploring a variety of surface techniques as you practice composing engaging surfaces in direct response to form.

    We will explore techniques at the green, bisque, and post glaze-fire stages of the ceramic process. We will look at the integration of each layer as an opportunity to explore creative problem solving for those moments when an object feels to have become overworked and in need of balance.

     Whether you find yourself attracted to a more minimal and nuanced facade, or love getting lost in layers, this course is intended to help students personalize the techniques that are practiced. We will leave time for discussion of each person's work and collectively give feedback and problem solve. Demos will be curated to student interests , Guest lecturers TBD

    Bio

    Breana Ferreira (she/her) was born and raised in Southern California and received her BFA in Ceramics in the Spring of 2022 from the University of North Texas. Her practice revolves predominantly around surface and ornamentation through the integration of hand building, throwing, print, and collage to craft pots with loaded layered surfaces rich in color, texture, and personal narrative.

    Since graduating, Breana has worked as an emerging educator and resident artist with the American Museum of Ceramic Art in Southern California, the Lillstreet Art Center in Chicago, and most recently in association with Arrowmont School of Arts and Crafts in Tennessee.

    @brebreanam

Professional Practices: Taking the Next Step to Move Forward- Ben Carter, 1st Sundays, 3-5pm ET

  • Do you want to take the next step in your career, but aren't sure what to do? Join us for a class on professional practice with Ben Carter.

    Throughout the year participants will focus on refining their voice and vision through taking better images of their work, writing artist statements and resumes, defining their public presence through social media, and much more. The class will also have a critique component to help you progress in your studio and engage your cohorts community. 

    Bio

    Ben Carter is a studio potter, educator, and podcast host/producer based in New Jersey. He received his BFA in ceramics/painting from Appalachian State University and his MFA in ceramics from the University of Florida. His professional experience includes being an artist-in-residence at the Archie Bray Foundation in Helena, MT and Anderson Ranch Arts Center in Snowmass, CO, as well as the Education

    Director of the Pottery Workshop in Shanghai, China. He has lectured and exhibited widely in the United States, Canada, China, Australia, and New Zealand. He was named 2016 Ceramic Artist of the Year by Ceramics Monthly and Pottery Making Illustrated. He has authored two full-length books, Mastering the Potter’s Wheel, published by Voyageur Press in 2016, and The Complete Guide to Low-Fire Glazes for Potters and Sculptors, published by Quarry Books in 2024.

    In addition to his studio work he is the creator/host of the Tales of a Red Clay Rambler podcast, where he interviews artists about their craft, creativity, and lifestyle. In 2021 he developed The Brickyard Network—a podcast network devoted to the ceramic arts—for the Archie Bray Foundation. He is the editor and producer for Clay in Color, For Flux Sake, The Kiln Sitters, Trade Secret and other podcasts developed for the network.

    www.carterpottery.com
    Insta @carterpottery

Kiln Building and Design- Judah Birkeland 1st Sundays, 3-5pm ET

  • Whether you are an experienced ceramicist in the planning stages of building a kiln, or relatively new to clay and could use guidance determining what type of kiln might be best suited to your practice, this class will equip you with the requisite knowledge needed to embark on your kiln building journey.

    Participants will be encouraged to share with the class a bit about themselves and their work, including what their experiences are with different types of kilns, how that has affected their personal aesthetic, and what kind of kiln they envision for themselves moving forward. The course content will then be tailored to the specific interests and needs of the group. Here is an example of topics we could cover:

    ● Breaking down kilns by category and discussing the pros and cons of various designs.

    ● In depth information about kiln building materials including: types of firebrick, ceramic fiber, castables, mortars, foundations, and much more. Sourcing these materials as well as covering their various costs.

    ● Construction techniques: building foundations, how to lay brick, building arch forms, metal fabrication and welding, door designs, casting burner blocks and lintels, etc.

    ● Burners and controls: a look at multiple types of burners, as well as safety measures such as standing pilot lights, baso switches and valves, electronic ignition, pressure switches, high limit controllers and more. We can discuss building burners in more detail if participants show particular interest in this avenue.

    ● Wood firing: traditional designs vs alternative approaches: Anagama, Noborigama, Bourry Box, Train Kilns, Catenary Cross Drafts, Rocket Kilns, and my own personally designed high efficiency portable Compact Wood Kiln.

    ● Designing kilns: each participant will choose a type of kiln that they would like to build. We will break down how to design your kiln and make a realistic road map of what it will require to build it. If you feel limited in your ability to actually construct your kiln we will discuss hiring an expert who can help guide you through the process or even help you with the build.

    ● Guest Lecturers will include Ted Neal, Lisa Orr, and Donovan Palmquist.

    I look forward to working with individuals who are eager to learn about the expansive world of kilns, and want to move their work forward by building one of their own. Through sharing the knowledge, insights, and technical skills I have developed during my career, and by fostering a group dynamic that encourages exploration, and challenges preconceived notions, I hope to broaden your understanding of kilns and help you develop a plan that will put you on your way towards realizing your personal kiln building vision.

    Bio

    Judah Birkeland is a Minnesota based ceramic artist and kiln builder with nearly 20 years of professional experience. His formative years in clay took place in Minneapolis, where he worked as a production potter while also maintaining a private studio practice. In 2007, Birkeland began working with Master Kiln Builders, eventually becoming a full-time kiln builder. He has constructed kilns for some of the most renowned ceramic institutions and artists across the United States. Now, as the owner and operator of Linwood Pottery, he is experimenting with an innovative new portable wood kiln design, and developing a body of work specifically tailored to an abbreviated and highly efficient wood-fire process. Birkeland’s ceramics craft is rooted in the utilitarian tradition. Cultivating a sensibility which embraces and celebrates process marks left by the maker, as well as those left by the kiln is paramount to his work. Each pot tells the story of how it was made through the marks which adorn it. This interest in a process driven aesthetic led him to the world of kiln building and design, which has become inextricably linked to his clay practice. For Birkeland, the relationship between the two is symbiotic: the pots influence the kiln designs, and new kiln designs inspire changes in the pottery. His current work revolves around continuous experimentation with both pottery and kiln designs, carefully analyzing firing results, and pursuing the most intriguing avenues of exploration as they are revealed.

    www.linwoodpottery.com

Materials- Lindsay Rogers and Birdie Boone, 1st Sundays, 3-5pm ET

  • The Ceramic Materials Continuum is a comprehensive introduction to the technical realm of ceramics—one that explores the nature of the raw materials we use to craft ceramic objects, from their origins in the earth’s crust to—both literally and metaphorically—their place at our tables. Designed to immerse participants in possibilities for the meaningful manipulation of raw materials, empirical lab work will occur alongside lectures. Participants will acquire helpful resources on principal and special topics and receive regular technical support and informative feedback on test results during group lab sessions.

    Topic-based lectures include (but not limited to):

    -Introduction to the ceramic periodic table of elements and the minerals that make up our clay bodies and glazes (Boone);

    -Ceramic materials safety (Matt Katz, CMW)

    -The geology of clay and geological origins of raw materials (Boone, Rogers)

    -Clay body and glaze development testing strategies; (Boone, Rogers);

    -Firing kilns accurately and efficiently (Boone, Rogers)

    -Gathering and using wild ceramic materials (TBA, Rogers)

    -Terra Sigillata (Rhonda Willers)

    -Ceramic materials in historical context (TBA)

    *Some lectures may change based on participant interest.

    Bios

    Lindsay Rogers has over twenty years of experience as a ceramic artist and educator. Her work has been exhibited nationally in galleries and museums and has been published in Ceramics Monthly, Studio Potter, Pottery Making Illustrated (cover), Food & Wine, Bon Appetit, and Martha Stewart Living. She has taught workshops at Penland, Arrowmont, and Harvard Ceramics, among many others. From 2015 – 2024 she was an Associate Professor of Ceramics at East Tennessee State University. She is currently the Chief Program Officer at Arrowmont School of Arts and Crafts. 

    https://www.lindsayrogersceramics.com/
    @rogerspottery

    Birdie Boone is a studio potter and independent ceramics educator. Her work is subtle, sense-full, and expressive, made for daily use and contemplation. Born in West Virginia (1971), Birdie grew up in rural southwestern Virginia and in the city of San Francisco, CA. She holds an AB in Studio Art from the College of William & Mary in Virginia (1993) and an MFA in Artisanry/Ceramics from the University of Massachusetts, Dartmouth (2005). Teaching experience includes introductory to advanced level college courses in ceramics and 3-d art media, community ceramics courses, and ceramics workshops at craft school venues. Residency experiences include a long-term artist in residence at the Archie Bray Foundation (2007-2009), a semester at The Pottery Workshop in Jingdezhen, China with West Virginia University (2017), and one month at Starworks Ceramics in Star, NC. Birdie currently lives and maintains a studio practice in Meadowview, VA. In 2023, she became a mentor with Cohorts.Art and continues to lead workshops that explore hand building techniques, the manipulation of ceramic materials, ceramics philosophies and aesthetics.

    https://birdiebooneceramics.com/
    @birdiebooneceramics

These 3 classes occur on different days at different times.

Critique- Sam Harvey, 2nd Sundays, 3-5pm ET

  • We all need feedback to help move our work forward. This class will focus on development of constructive feedback and critique skills within our cohort.   The emphasis will  be on providing thoughtful, specific and actionable feedback while fostering mutual respect and trust. Students will present their work , practice reflecting on their artistic process, and learn to articulate their creative intentions. Everyone will participate in critiquing their peers' work  in a supportive and structured environment.  

    Through guided discussions and hands-on exercises students will learn to evaluate work based on elements such as composition , technique, context, meaning and emotional impact. This class is for all kinds of clay artists: functional potters ,vessel makers and sculptors! Guest critiquers will be invited.

    BIO

    https://harveypreston.com/

    Sam Harvey received his MFA from New York State College of Ceramics at Alfred University (2001) and BFA from the Kansas City Art Institute (1984). He has been an artist in residence at Sun Valley Center and Anderson Ranch Arts Center. He has taught and nationally and internationally, including at Anderson Ranch and in Nepal, Taiwan and Japan. He has shown nationally at such venues as Lill Street Arts Center, Chicago; Santa Fe Clay, Santa Fe; Trax Gallery,

    Berkeley, CA.

Thinking Through Atmosphere- Lindsay Oesterritter, 1st Saturdays, 3-5pm ET

  • Ceramicists often think about atmosphere as that final firing. Let’s instead think about atmosphere as all the decisions leading up to and including that final firing. As artists we are making small but important decisions throughout the creative process that set our visual voice. These details, successes, failures, and experiments are all felt and seen on the final piece. The final firing is in support of and continues these aesthetic, material, and functional decisions we have already made. In this class, it is my goal to get to know each of you, and your atmospheric interests and goals. We will utilize this year-long class format to discuss all the aspects that lead into completing our wares. Just like a kiln load, the assembly of our class interests will greatly affect the outcome of dialog and discussions we have surrounding atmospheric firing. Beginners to atmosphere are welcome!

    Guest Lectures to be determined.

    BIO

    Lindsay Oesterritter is currently a full-time studio potter in Manassas, Virginia, she has been utilizing wood fire techniques for over 18 years.

    She is co-organizer of Southern Crossing Pottery Festival held in her hometown of Louisville KY. Most recently in 2024 Lindsay was asked to be on the organizing board of the North Carolina Wood Fire Conference, a biannual conference that brings artists from all over the globe together. In 2020 she published her first book, Mastering Kilns & Firing. She earned her MFA from Utah State University in Logan Utah. She held the position of Assistant Professor of Ceramics at Western Kentucky University (2009-2015) and earned Associate Professor in 2015. Lindsay had the fortuneto be a resident artist at Arrowmont School of Arts and Crafts in Gatlinburg and in Australia at Strathnairn Arts Association. She has had the opportunity to lead workshops, curate exhibitions, lecture and exhibit nationally and internationally and is continually inspired by the craft community.

    Website: loceramics@gmail.com
    Insta: @alindsayo

Slab Built Pottery: Boosting Confidence in Creating and Reproducing Unique Designs - Jen Allen, 1st Wednesdays, 12-2pm ET

  • This comprehensive course is designed for individuals seeking to refine their slab-building techniques and confidently develop unique, functional forms. Over several months, students will explore essential techniques:

    - 3D clay sketching
    - Tin smithing strategies for form development
    - Learning how to construct innovative shapes using geometricp rinciples.

    As the course progresses, participants will delve into alteration methods like darting and pillowing, which focuses on adding and subtracting clay to manipulate forms.

    Stamping and surface treatments will be covered as a way to add visual texture and personality to your creations.

    Practical elements will also be emphasized, with detailed instruction on making functional lidded forms, creating precise spouts, and crafting ergonomic handles that are both functional and thoughtfully designed.

    Additionally, students will gain insights into the technical aspects of using materials like Kanthal A-1 wire in ceramic forms, equipping them with knowledge of their properties and applications in kiln-fired work. By the end of the course, participants will have a stronger understanding of how to confidently create and reproduce their own distinctive slab-constructed pottery.

    BIO: Jen Allen, a full-time ceramic artist and small business owner based in Morgantown, WV, brings nearly 30 years of experience to this course. Her artistic journey began with sewing and evolved into a deep passion for ceramics discovered during her undergraduate studies at the University of Alaska Anchorage 1995-2002. Jen combines creative experimentation with disciplined production, most recently launching a series of patterns (template sets) for slab building. Dedicated to teaching, she shares her expertise through online workshops and in-person classes, aiming to inspire curiosity and a lifelong love of learning in her students.

    Instagram: @jenallenceramics Website: jenniferallenceramics.com

Is Your Course of Choice Full?

Please put your name on the Waitlist for potential openings. (After Noon on October 15th.)