We spend so much energy measuring success by how visible or "full time" our craft looks from the outside, but the version of making that actually sustains you might look completely different from what you think it should. Over the last 5 years, since we first interviewed Camille Beckles (of Camille at the Wheel), on our debut episode here at the Maker’s Playbook, Camille has had the opportunity to say yes to the most exciting, challenging, and community-driven ceramics opportunities of her career. And it's her full-time job that gave her the freedom to do it. When survival isn't on the line, your art gets to be whatever you want it to be. Could releasing the pressure to monetize everything (and leaning into what genuinely sustains you) actually be the most serious thing you can do for your creative practice?

Today on the podcast we have part one of a live episode to celebrate the 10th anniversary of the podcast. I was joined by Carole Epp and Britta Schroeder, as well as a live audience on Zoom. Many thanks to everyone who came to the taping and helped us celebrate. In this episode we talk about our favorite episodes and how making gives our lives meaning. To celebrate our anniversary, we are also having a fund drive. If you are able, please visit www.talesofaredclayrambler.com/donate to make a pledge through our PayPal portal or you can make a monthly pledge at patreon.com/redclayrambler.

Sarah Pike on Tales of a Red Clay Rambler Episode 380: touching clay with clarity and intent

Tales of a Red Clay Rambler: 514: Lisa Orr on developing psychedelic low-fire glazes. Lisa Orr started working with low-fire ceramics decades ago, moving through majolica before developing a unique psychedelic color palette. In our interview we talk about matching thermal expansion of clay and glaze, side stacking glaze wares, and developing aventurine glazes

Tales of a Red Clay Rambler, Lisa Orr on the influence of Betty Woodman, color synesthesia

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Simon Levin, David Roswell, and Polina Miller. Levin created the Clay Cohorts program in 2021 to provide artists a place for mentorship, education, and community. The program blends online learning with in-person workshops to help students stay motivated in their own creative practice. In our interview we talk about David and Polina’s experience in the program and how it is shifting as Simon welcome two new instructors to this year’s cohort. For more information visit www.cohorts.art.