Lisa Orr is a professional potter and has been a student of ceramics for more than 40 years. After completing her MFA in 1992 at the New York State College of Ceramics at Alfred University, she received a Fulbright and an MAAA/NEA grant to continue her studies. Her work is shown in numerous public and private collections including the Fine Arts Museum of San Francisco, and the permanent collection of WOCEF in Korea. A full-time studio potter, she also teaches, lectures, and shows nationally and internationally.

Here on the podcast, we often talk about the delicate balancing act between creative fulfillment and business sustainability - a struggle that can feel overwhelming without guidance. What if finding the right mentor could be the pivotal moment that transforms your creative practice and career trajectory? When Lisa Orr sought out Betty Woodman as a mentor, it completely shifted her perspective on materials, giving her permission to pursue colorful earthenware despite the stoneware-dominated ceramics world of the 1980s. Through her journey from studying with established potters to international research and eventually becoming a mentor herself, Lisa reveals how these relationships provided not just technical knowledge but practical business skills alongside the confidence to challenge current assumptions. Could the difference between struggling in isolation as an artist and building a sustainable decades-long pottery career be found in actively seeking mentorship and finding your creative community?

Tales of a Red Clay Rambler: 514: Lisa Orr on developing psychedelic low-fire glazes. Lisa Orr started working with low-fire ceramics decades ago, moving through majolica before developing a unique psychedelic color palette. In our interview we talk about matching thermal expansion of clay and glaze, side stacking glaze wares, and developing aventurine glazes

Tales of a Red Clay Rambler, Lisa Orr on the influence of Betty Woodman, color synesthesia