Yael Braha is a ceramic artist of North African descent who applies her formal studies in Graphic Design (BA) and Cinema (MFA) to ceramics. In 2021 Yael received the Multicultural Fellowship Award from the National Council on Education for the Ceramic Arts (NCECA). Yael’s work has been exhibited in Museums and Art Galleries in the Usa and Japan, and is part of permanent collections in the Usa. Yael has been a Ceramic Artist in Residence in the United States (Arrowmont School of Arts and Crafts, Watershed Center for the Ceramic Arts, Haystack Mountain School of Crafts, Starworks Ceramics) and in Japan.

Kate Marotz currently lives in Marshfield, WI where she shares a studio with her spouse. At UW-Stout Kate earned a BFA in Ceramics and BS in Art Education. Kate pinches pots combine sculptural qualities with functional objects and preserves the handbuilding process on the finished terra sigillata surfaces.

Lorna Meaden grew up in the western suburbs of Chicago. She received a B.A. from Fort Lewis College in 1994, and an MFA in ceramics from Ohio University 2005. She has been a resident artist at the Archie Bray Foundation in Helena, Montana, and at the Anderson Ranch Arts Center in Snowmass Village, Colorado. Her work is represented my several national galleries. She has taught numerous workshops nationally and internationally, in addition to being featured as a demonstrator and lecturer at the National Council on Education in Ceramic Arts, and Utilitarian Clay V: Celebrate the Object. Lorna is currently a studio potter in Durango, CO.

New Adventures as an Art Business | Martha Grover | Episode 154

Posted on October 20, 2015 by Paul Blais

Audio Player

00:00

00:00

Use Up/Down Arrow keys to increase or decrease volume.

Podcast: Play in new window | Download

Martha Grover | Episode 154

Martha Grover is a functional potter, living in Bethel, Maine creating thrown and altered porcelain pieces. She attended Bennington College in Vermont, where she received her undergraduate degree in Architecture. Martha received her MFA in ceramics from the University of Massachusetts Dartmouth. She received the Taunt Fellowship at the Archie Bray Foundation. Her work can be found at galleries throughout the country. Her work has been published in Ceramics Monthly, Clay Times, Pottery Making Illustrated, 500 Pitchers, 500 Platters and Chargers, and 500 Vases.

Carole Epp is a Canadian ceramic artist living and working in Saskatoon, Saskatchewan. She received her Masters Degree in Ceramics from the Australian National University in 2005 and has maintained a full time studio practice since.  Her ceramics branch off into two distinct bodies of work wherein she produces lines of sculptural and functional objects.

Due to a desire to expose her own demons as well as to investigate the social and political dis-function of contemporary society, Carole Epp creates figurative sculpture that presents humanity through a subversion of our utopic projections of ourselves. Her work pairs religious iconography with news headlines, pop culture with nostalgic kitsch, all through the subversion of the traditional genre of the collectible figurine.

Her line of functional work explores narrative and whimsy. Inspired by the chaos, the noise, the blur, the wonder, and the creativity of life with two small boys at home. She started making dishes for her first son as an aside to the functional pottery she was already making and now years later it plays a huge part of her studio practice. The dishes illustrate storybook images that can insight smiles and memories for young and old alike.

Her work has been exhibited throughout Canada; in Australia, Scotland and the United States. Her artwork and writing has also been published in the past few years in magazine publications, websites and books. She is editor of Musing About Mud an online blog that showcases information, calls for entry, exhibitions and artist profiles related to the ceramic arts.

Focusing on fragility and subtle strength, Rhonda Willers creates art with repetitive forms and markings reflecting on memories and nature through diverse materiality. Rhonda is the author of Terra Sigillata: Contemporary Techniques. Rhonda studied at the University of Wisconsin-River Falls (BFA) and University of Nebraska-Lincoln (MFA). Rhonda is a studio artist, author, mother, and NCECA Board Steward located in Elk Mound, Wisconsin.

Adam Field is fascinated with antique artifacts, the way they can speak of mastery of lost peoples, places, and cultures. This inspires Adam to create works that both radiate history and capture his own place and time. Adam’s works toward a clean aesthetic that celebrates the masterful simplicity of antique Far Eastern pottery, while retaining the modest utility of colonial American wares. The surface of Adam’s pottery is meticulously carved with intricate designs that borrow from nature and incorporate the human touch. Much of the carving on Adam’s work is informed by the pattern languages found in indigenous fiber art, such as Hawaiian tapa, Incan cordage and Zulu basketry.

Born and raised in Colorado, Adam earned his BA in Art from Fort Lewis College. For two years he immersed himself in the culturally rich art scene of the San Francisco bay area, where he began his full time studio practice. From there, he relocated to Maui, where he established a thriving studio business. He spent most of 2008 in Icheon, South Korea, studying traditional Korean pottery making techniques under 6th generation Onggi master Kim Il Mahn. In 2013 he created and debuted HIDE-N-SEEKAH at the NCECA conference in Houston, TX. After maintaining his studio in Durango, CO for 5 years, Adam recently moved to Helena, MT where he is currently a long-term artist in residence at The Archie Bray Foundation. His works are included in private collections and kitchen cabinets internationally. 

Sarah Pike makes slab-built, functional pots on the edge of a little ski town in the Rocky Mountains of British Columbia, Canada. If you went to Fernie, you would probably find her in her studio, which is just off the highway, next to the beaver pond and under the Lizard Range. Unless, of course, she is out doing her other favorite things… playing in the mountains, eating food somewhere or digging in the garden.  Sarah studied ceramics at ACAD in Calgary, the University of Colorado, Boulder and the University of Minnesota, Minneapolis. Her pottery is inspired by many things, including the landscape around her home, the crazy rich history of pottery, specifically Japanese and Islamic ceramics, but also by antique tinware, textured metal, and old things you might find in barns.

n 1993 Simon Levin fell in love with the movement of flame through a wood-kiln. Its sensuous quality is something Simon seeks to capture in his work. This quest led Simon to an M.F.A. from the University of Iowa. Recently the work explores the deep, dark, primal connections between all of us. Simon owns Mill Creek Pottery in Wisconsin, where he and his apprentices work to advance the cause of wood-fired pottery.

Lisa Orr is a professional potter and has been a student of ceramics for more than 40 years. After completing her MFA in 1992 at the New York State College of Ceramics at Alfred University, she received a Fulbright and an MAAA/NEA grant to continue her studies. Her work is shown in numerous public and private collections including the Fine Arts Museum of San Francisco, and the permanent collection of WOCEF in Korea. A full-time studio potter, she also teaches, lectures, and shows nationally and internationally.